Muna Madan depicts household story

By Phadindra Adhikari,Kaski, Feb. 27: Muna Madan, written nearly nine decades ago, remains an immortal classic of Nepali literature.

Now, Muna Madan has been adapted into a theatrical performance in Pokhara under the direction of Parivartan, bringing fresh elements to the story.

 The play begins with a Gandharva narrating human suffering through his Sarangi.

 On one hand, the story remains relevant because the reality of Nepalis has not changed, and on the other, the play incorporates new perspectives.

The play has been staged since February 21 and will continue until March 8.

 The tragic tale of poverty, love and separation in Muna Madan originates from the Nepal Bhasa ballad ‘Ji Waya La Lachhi Maduni.’ Recognising this, the play integrates Newari language, setting, and attire to enhance authenticity.

Madam dreams of building a Pati (rest house for travellers), digging an irrigation canal, and buying Tilhari (a traditional gold ornament) for his wife Muna, which leads him to Lhasa. 

The play vividly portrays Tibetan culture through music when Madan reaches Lhasa and the heart-wrenching scene where his companions abandon him when he falls ill. The compassion of the Bhotey (Tibetan man) who rescues and cares for the Madan-like family starkly contrasts with modern Nepali society, where such kindness is rare today.

Director Parivartan delivers a strong performance as Madan in the play.

 Kristi Gurung not only portrays the historical character of Muna but also represents the struggles of young women today who endure suffering when their husbands migrate abroad. 

Dil Bahadur Thapa as the Bhotey and Pramila Tulachan as Madan's mother bring depth to their roles.

However, the subplot involving a friend falsely declaring Madan dead and conspiring to send Muna away with another man is not as impactful. 

The roles of Naini Bhauju (Ranju Dahal) and Juman Babu (Ramesh Timilsina) could be further refined.

 By the time Madan returns home with wealth, both his wife and mother have passed away, and he is gravely ill. 

The play delivers a powerful message that shakes not only ordinary viewers but also policymakers.

Kishor Subedi’s singing adds emotional depth to Muna Madan’s soundtrack. The additional song in the 1-hour 45-minute play is equally poignant.