A Novel On Social Transformation

The book Sprouts on the Rock is D.R.’s first novel, initially published in Nepali as Tilasmi and later translated into English. The novel embodies the aspirations of Nepali youth who dream of a prosperous Nepal, where its youths no longer have to migrate to other countries in search of better job prospects and can contribute to the betterment of their own country. The story revolves around two childhood friends, Biraj and Dhanraj, who dream of contributing to making the country self-reliant. While the youths have every reason to aim high, envisioning a future where economic, social, and political barriers are eliminated, they are discouraged by the vast gap that still exists between their dreams and reality. The novel narrates this dream and resents it in full bloom in the remote hinterlands of Eastern Nepal through the tireless efforts and relentless strife of Biraj and Dhanraj, the central characters of the novel. In a matrix of children’s psychology, juvenile painting, adult interference, and mature decisions, the novel presents the future today’s youngsters envision.

It is an excellent read, filled with compelling storytelling and rich detail that keeps the reader thoroughly engaged from start to end. The plot is intricately woven, creating a sense of suspense and excitement that pulls readers deeper into the narrative with each page. The vivid characters and immersive atmosphere heighten the emotional intensity, making the entire reading experience unforgettable and exhilarating. The portrayal of Rai culture from Eastern Nepal adds significant depth and richness to the novel, providing readers with an authentic glimpse into the traditions, customs, and way of life of this unique ethnic group. The Rai people, with their distinct language, rituals, and heritage, are presented not merely as background but as an integral part of the story, enhancing the cultural texture of the narrative.

The novel revolves around the story of two central characters, Biraj and Dhanraj, from different milieus of society. It tells the story of their upbringing, schooling, family background, dreams, and aspirations. The novel depicts the social and economic conditions of Nepali society through these two characters. It depicts the struggle of people from the lower strata of society to make a living and the privileges and choices the people of the upper class have. The first part of the novel depicts the childhood of two main characters, Biraj and Dhanraj. Biraj hails from the upper class and has all the opulence, on the other hand. Dhanraj is from the lower strata of society, and his childhood is very difficult. A small shop owned by his mother is the basis for their subsistence, and their alcoholic father, instead of making things easier for them, adds problems to his life. He gets no support from his father while growing up, both emotionally and financially. Biraj, on the other hand, belongs to the old money and is materialistically well off. Being born into opulence, Biraj is unaware of the problems people face in day-to-day life. Biraj is portrayed as a heroic character, working to transform society. He is the personification of virtues, so at times readers are compelled to wonder if a character like this exists in our society or if characters like Biraj are only fictional. The way he initiates the endeavour so charismatic, we feel that we need more people like Biraj to transform our society. of communal farming to create incomakenerating opportunities for locals and his contribution to the educational sector makes him no less than a leader. Biraj is so charismatic, we feel that we need more people like Biraj to transform our society.

Biraj establishes a children’s club and consolidates the children of the community. The club provides playthings and organises various programmes. He supports and encourages Dhanraj to do well in life. Though these characters are of the same age The novel can occasionally feel overly long, and readers might think that the same ideas could have been expressed more succinctly, which would have made it seem less extensive.

This book is the translation of the novel Tilasmi written by the same author in Nepali. Though the writer does not have a strong literary background, the author’s passion for writing is commendable. The fact that the author has undertaken the task of translating his work demonstrates a deep personal connection to the material and a desire to make it accessible to a wider audience. Despite any limitations in formal literary experience, the author’s enthusiasm shines in the narrative. The translation, although not flawless, retains the essence and spirit of the original, allowing readers to appreciate the cultural and emotional shades of the story. This passion for writing and the challenge of self-translation add a unique layer to the novel, highlighting the author’s dedication to their craft.

Although the translation could have been better, the richness of the original text has not diminished, nor has the depth and the meaning. When the translation is not up to the mark, it does not distract the enjoyment and appreciation of the novel. The translation could have been better not only to enhance readability but also to foster a deeper understanding of the cultural and thematic nuances embedded within the narrative. 

The novel Sprouts on the Rock is worthy of readers' attention, and it demonstrates that a captivating story doesn't require an elaborate plot or intricate structure. Sometimes, a straightforward, chronologically told narrative can flow more smoothly and convey a profound message about society and its people more effectively than a more complex approach.

The way the author is trying to depict the Rai culture of Eastern Nepal is commendable. The dialect his character uses makes us feel that we are in one of the Rai villages of eastern Nepal. Dhanraj, who hails from the Rai community more or less, speaks in the same dialect, making the novel more relatable. The novel gives a very strong message that youths should not migrate to other countries for subsistence; instead, they should work for the socio-economic transformation of their own country. They should go abroad for studies but should return and work in their own motherland. When Nepal is facing a severe brain drain, this novel through its characters gives a message that the country can be developed with the enduring efforts of its youths.

(The author is a journalist at TRN.)